A worker-reader publication The Commons · The Question
A Call

Wild and Precious

A poet spent a summer morning on her knees watching a grasshopper, then asked her reader the only question that finally matters. The third parable of the commons — and a call to spend your one life putting something in. Companion to Stone Soup and The Giving Tree.

By Orion Quin Dangerous Thoughts · in the spirit of Mike Quin

A poet I love once spent an entire summer morning on her knees in a field, doing nothing that a productive society would recognize as doing something. She was watching a grasshopper — the one that had climbed into her open hand, that worked its jaws side to side, that cleaned its face with its forelegs and then, without ceremony, snapped open its wings and was gone. She watched. She let herself be idle. She called the idleness a kind of prayer. And at the end of that small, useless, holy attention, she turned and asked her reader a question that has walked beside me for thirty years.

Hold the question a moment. First, the field — because the field is where the question earns its force.

I · The Looking

We are trained now, nearly from birth, against exactly what she was doing. To attend to one small living thing for an hour, on purpose, with no profit in it, is treated as a failure of ambition. The whole machinery of the age is built to harvest your attention and sell it by the ounce — to keep it skimming, scrolling, buying, never resting on any one thing long enough to love it. And here is the dangerous thought hidden inside a poem about an insect: attention is where conscience begins. You cannot love what you will not look at. You cannot defend what you have never truly seen. The same person who can kneel in the grass and give an hour to a grasshopper is the one who can look at a neighbor, a river, a stranger's child, a wronged coworker — and actually see them. Seeing is the first move of every act of justice there has ever been.

II · The Arithmetic

So: what will you do with the life? The age has its answer ready, and we have met it in these pages before. Spend it acquiring. Fill it with more. Convert your one stretch of borrowed time into a pile of things, and call the pile a life. But we have read that story already. That is the boy and the tree — a whole existence spent taking, ending at a stump, having never once sat down long enough to notice he already held the thing he kept buying. And it is the frightened village — each family alone on its small hoard, sure there was not enough, when the pot was always big enough the moment anyone was brave enough to look up.

A life is not the sum of what you kept. It is the sum of what you put in.

That is the whole reckoning, and a great deal of money has been spent to keep you from doing the math. A wild and precious life is not measured the way the ledger measures it — not in what you accumulated, but in what you returned: into the pot, into the soil, into the people within your reach. The grasshopper did not ask the poet for her estate. It asked for an hour of her honest attention, and in exchange it taught her how to be alive. That is the bargain, and it is on offer to you this very afternoon, for free, the way the best things always are.

III · The Call

This is a call as much as a reflection, so let me be plain about the asking. Pay attention — fiercely, on purpose — because it is the political act it does not look like. Then act on what the looking shows you. Put something into the pot before you are certain anyone else will; be the carrot that makes the next person brave. Stop selling the apples and plant them; tend what gives to you instead of stripping it bare. Refuse the lie that there is not enough — not enough time, not enough money, not enough love — because that lie is precisely how they get you to spend your one life guarding a hoard instead of building a commons.

None of this asks you to be a saint. It asks you to be awake. Show up to the meeting. Sign the thing, then do the unglamorous work the thing actually names. Close the shop till the boys win. Do the small, unprofitable, attentive, generous act — and then do it again tomorrow, because that, and not the pile, is what a life adds up to. A movement was only ever a great many people deciding, on the same ordinary afternoon, to look up from the hoard and put something in.

IV · The Question

So I will hand you the poet's question the way she handed it to me, and then get out of your way. You have exactly one life. It is, in Mary Oliver's words, your "one wild and precious life" — and no one is coming to live it for you, and no one can take it from you but the slow thieves of distraction and fear.

Tell me — no, tell yourself, today, in a field if you can find one: what do you plan to do with it?

Sources & Notes

  1. Mary Oliver, "The Summer Day," from House of Light (1990). The poem is described and discussed here as commentary; a single phrase — "one wild and precious life" — is quoted and attributed. No further text from the poem is reproduced.
  2. The closing piece of a trilogy with "Stone Soup" and "The Giving Tree" (Dangerous Thoughts) — pay attention, then put something in.